New York City’s Parquet Courts hit Stubb’s BBQ Friday amid a ton of anticipation from fans eager to see the garage rockers’ return to Austin. Perhaps lost in that fervor was the fact their new record, Sympathy for Life featured a cache of songs unlike much of the band’s previous material.
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Austin rockers, The Dead Coats made a rocking full-length album slated to drop Saturday on all platforms. The band tracked the 10-song album, BIG WISH (Dissent Records) in two days utilizing analog equipment and forgoing click tracks in favor of a more natural sound.
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David Castro went from booking 50-100 shows a year for his fledgling, Bird Barn Booking Company to wondering if work as a line cook was something he’d have to return to. But then, like a bolt of lightning, the Vancerts concept came to him in the form of an informal, mobile live performance at House Skatepark on December 4.
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We’re thrilled to premiere the band’s exceptional third release, Knock Out (Pecan Crazy Records) today at The Cosmic Clash. The album is a follow-up to one of our top Austin albums of 2019, What’s A Woman To Do.
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Austin pop-punks The Blowies have released a timely single, “There May Never Be Another X-Mas (All I Want for X-Mas is Impeachment) as the U.S. House of Representatives have voted to send two articles of impeachment of President Trump to the Senate for trial. The fact that it’s done in classic garage punk style fits the raw, unrefined approach of President Trump. It’s the right genre for a radical political crisis.
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The 1990’s were a helluva time for music. Grrrl rock, heroin chic and flannel all featured prominently in the music scene. At the heart of it all was Grunge music made by the likes of Nirvana, Pearl Jam, Mudhoney and similar artists. Near the center of that magical era was L7. The Los Angeles, all-female, four-piece began their collective career in the mid-80’s. In the 1990’s, the group toured with the likes of Alice In Chains, Beastie Boys, and Pearl Jam.
Read MoreIt may not have been a sold-out crowd but Emo’s fans were enthusiastic in their response to the UK neo-metal act, The Darkness and opener, Diarrhea Planet last week. It was hard not to match the energy of DP’s opening set. The Nashville-based garage punks look like they’re having a better time than the drunk fans in the front row as they rocked their way through a brief half-hour set.
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