Review

AlbumGreg AckermanReview

Album review: Sprawling Post Rock project Sound Mass announced third album and Texas mini tour

When our friends with Austin band, My Education and Salt Lake City’s Theta Naught told us a new album was coming ten years after the release of their second collaboration, it was a bit of a surprise it took that long to make the follow-up to Sound Mass II: Spiritual Docking. It was particularly perplexing given that the recording sessions for this release, entitled Ampersand were made in 2019 not long before the worldwide pandemic put a stop to pretty much everything including collaborations between awesome post-rock bands. 

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Case CockrellLive MusicReview

Live music review: Cage the Elephant came back from five year hiatus with Young the Giant at Moody Center

When a band like Cage The Elephant moves out of their place of formation for England, you know they intended to live up to their titular mission statement. Kentucky-born Cage The Elephant is many records removed from super-hit “Ain’t No Rest For The Wicked,” becoming one of the mainstream’s most hard-hitting arena rock and roll acts while churning out a discography with inarguable depth that carries the torch for contemporaries such as The White Stripes, Beck, Modest Mouse, and The Black Keys. On Thursday night at Austin’s downtown basketball arena, as Melvins’ Buzz Osborne would call a “Non-venue,” the Kentucky-England band pumped out 80 minutes of virtually banterless cuts that saw the six-piece outfit tearing through their accomplished career of steady but worthwhile material. An eclectic audience made their way to the Moody Center for the Friday eve show.

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Case CockrellLive MusicReview

Live music review: The Black Angels rocked the new Stable Hall in San Antonio last week

The Black Angels headed to San Antonio to give their Central Texas fans a blueprint of what will come in their 20th year. The Black Angels have stayed plugged into the depths and hardliners of the indie scene, and their relevance and expertise in the underground music sphere have been an inspiring force due to their many years in the business. The Black Angels delivered a smoking set at Stabile Hall on Friday, June 28 in San Antonio for their Central Texas fans, which saw Austin and local SATX supporters alike flocking to the new(ish) Stable Hall venue to witness a masterclass in Texas Psychedelia. 

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Amanda QuraishiLive MusicReview

Live Music Review: Flakefest Vol. 1 defied expectations at Mohawk June 28

Nowhere could this phenomenon be better illustrated than at FLAKEFEST Vol. 1 on Friday, June 28, 2024 at Mohawk. Two bands – Como Las Movies and Starflake – took to the stage along with a handful of other local music luminaries and brought us an evening of homegrown, Latin-infused, experimental music that defies expectations and crushes definitions.

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Case CockrellLive MusicReview

Live music review: Art Rockers Of Montreal returned to Mohawk on Tuesday

For Of Montreal’s sold-out Austin performance at Red River Cultural District stronghold Mohawk on Tuesday, the summer Texas crowd was ready to sweat it out for yet another triumphant performance showing a masterclass in art and both moody and jovial rock and roll. Of Montreal is classified as a member of the multi-regional Elephant 6 musical collective, which hosts the likes of Neutral Milk Hotel, Olivia Tremor Control, and Elf Power. With all the bands in this sector sharing a love for the trippiness of the 1960s, Of Montreal packs countless mannerisms of stage show glory. 

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Live MusicReviewScott Rollins

Live music review: Lyle Lovett and Robert Earl Keen at the George H.W. Bush Presidential Library

Through an uninteresting and unimportant turn of events I found myself invited to the George H.W. Bush Presidential Library for a series of events called “41 @ 100”. The George and Barbara Bush Foundation presented this celebration to celebrate the 100th birthday of President George H.W. Bush. Though a graduate of Yale, President Bush was approached by Texas business and the college as a location for his presidential library. The only event I turned out for was a concert. The combination of A&M grads Lyle Lovett (class of 79), and Robert Earl Keen (class of 78) on June 14 was impossible to pass up.

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Case CockrellLive MusicReview

Live music review: Songwriter Adrianne Lenker sold out the Paramount Theatre

Big Thief’s Adrianne Lenker has served as one of the leading charges in a new age of independent storytelling through song. The Minnesota native and Brooklyn-based singer/songwriter brought her acoustic tour to Paramount Theatre in downtown Austin for two sold-out performances, following suit to multiple capacity crowds with her full band throughout the years of their short but prolific existence. The intimate, candlelit historical setting of the theatre, where you could hear a pin drop, created a unique connection between Lenker and her audience, making for a thought-provoking experience of songs new and old on the June 10 second evening. With the release of her latest solo album, Bright Future Lenker has delivered yet another heart-wrenching gauntlet of tunes, sure to draw the misty eyes of all the indie Gen-Zers and Millennials in attendance

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Case CockrellReviewSong

Song Review: The Cuckoos reveal eclectic new track Dirty Pictures

Kenneth Frost has proven to be a hometown prolific mastermind. Since performing as a part of Grandmaster, Sexpop, and his brainchild band, The Cuckoos, it’s mind-boggling to wonder how the Austin musician manages his time. On new track “Dirty Pictures,” Frost shows that his musical staying power is here to stay in the Austin scene. The band’s sound takes an eclectic route, showing touches of funk, soul, psychedelic rock, and the roots of classic rock. 

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AlbumReviewScott Rollins

Album review: Willie Nelson graced us with The Border

While the populace of the politically persuaded argue over two old men in the American Presidential Race in 2024, other old men are focused on something more beautiful other than politics: Creativity. Dick Van Dyke, at 98 years old, just won a Day Time Emmy Award, his first, for his work on “Days of Our Lives” and did a little dance on the red carpet. Clint Eastwood wrapped production of a new thriller he’s directed called “Juror No. 2” at 94 years of age. Harrison Ford is still famously acting in film and two concurrent television shows at a modest 81, and Willie Nelson at 91 years old, has graced us with a wonderful new album, The Border.

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Case CockrellLive MusicReview

Live music review: England’s Idles delivered wild night at Moody Amphitheater May 21

Sometimes, chaos is laced with love. Bristol, England’s Idles have been shooting off musical mortar shells since 2009, and each new release has seen the English band building off the previous. If you’re a fan of post-punk, hardcore, dance-punk, or anything punk rock-related in new music, Idles is a band that will strike a chord with your music listening holes. On their latest album, Tangk, Idles enlisted the help of Radiohead’s right-hand man, Nigel Godrich. The result was a more dialed-back, calculated effort from the group, touching on hints of dance music and soft rock cuts that aren’t without the England band’s carefully calibrated  ballistic nature that their rabid fanbase has become accustomed to.

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Case CockrellLive MusicReview

Live music review: The Grandmaster Orchestra Gala at Stateside Theatre promises more annual events

May is a big season for any city like Austin. College students are closing the book on school, prom kids are, well, prom-ing, and the city of Austin has its usual everyday festivities going in full force. Austin’s Grandmaster Orchestra has been at it for over a year, assembling a lineup that spans some of the best artists the local music sphere offers. The members of the Grandmaster ensemble, honorably dubbed “Zealots,” take their leader, the Grandmaster’s mission, to heart. The local nonet, turned duodecet for the Austin act’s album release show at Stateside Theatre in downtown Austin, featured a star-studded bill that delivered musicianship and auras of longtime friendship that showed a pivotal moment for the Austin music scene of the current era

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