Friday, March 6, 2026

Review

Live MusicReviewTroy Gonzales

Live music review: Neko Case returned to the Paramount Theater in Austin for Thanksgiving

So on a warm Tuesday night, a two days before Thanksgiving, Neko Case and her touring band returned to the Paramount Theatre in support of her latest album, Neon Grey Midnight Green, her eighth studio album, which also follows her recent bestselling memoir,  The Harder I Fight, The More I Love You.  I’ve been lucky enough to have seen the New Pornographers on a couple of occasions but have only seen Neko Case solo once at the Paper Tiger in San Antonio. While I haven’t always thought of the Paramount Theatre as my go to place to see live music, I will concede that certain musical artist do benefit from its historic ambience, which can lend a sense of intimacy and warmth that you can’t find at any other venue.

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Live MusicReviewRobert Dean

Live music review: Old school punks The Bouncing Souls and H2O played Empire last Sunday

As an official Old Head, it’s an experiment in time for me: I got into punk in the early ’90s, and now that it’s 2025, I’m somehow in my fourth decade of this thing. The people we looked up to — and the kids I was crammed shoulder-to-shoulder with at basement shows — are now comparing cholesterol scores and scheduling their first colonoscopy. So when The Bouncing Souls and H2O rolled into town on Sunday, I got off my Rascal scooter and made my way down to enjoy the cool sounds of bands who’ve been around for thirty years, joining the rest of the AARPunks at Empire Control Room.

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Live MusicReviewRobert Dean

Live music review: A Charlie Brown Christmas at Parker Jazz Club evokes deep nostalgia

Recently, I had the pleasure of attending The Parker Jazz Club’s tribute to A Charlie Brown Christmas, and it’s now on my must-do tradition list. Hosted every Monday in December, The Ryan Davis Trio puts on an hour-and-a-half show with a little history of the special, a few jokes, and plenty of timeless music. The experience was cozy and pleasant, full of smiles and wistful audience members diving deep into their pasts as the music played. Even Snoopy had his place on top of the doghouse—Charlie’s little tree was there, too.

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Case CockrellLive MusicReview

Live music review: Big Bill Ball 8 at Radio East offered accurate snapshot of Austin music scene

The eighth annual Big Bill Ball at Radio East in the Southeast part of town, marked another celebration of the Austin scene, offering a snapshot of local music in 2025 with a six-band bill featuring some of the best active acts in the Austindie sphere. For this year’s installment, the philosophical art punk mainstays celebrated the release of their new studio LP, Sick Myth. Continuing the Big Bill way of inclusive activism through comedic lyrical punchlines and a variety of punk rock angles, the one-day event gave attendees one of the most coveted evenings of live music in 2025 during Saturday night’s (November 22) gig at the southeast Austin backyard venue. The mini-fest was co-sponsored by famed photographer and show promoter, Pooneh Ghana for the annual showcase.

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Live MusicReviewRobert Dean

Live music review: Murder City Devils brought rock and roll fury to Mohawk

I love a show where the band is not there to fuck around. No small talk, no rare material, no rambling monologues about the world. Just pure rock and roll fury. At the Mohawk on Sunday, November 23, The Murder City Devils crashed into Planet Austin and left no survivors. The band barely tours anymore—just fly-in one-offs where they show up, sell the same three merch designs they’ve had for twenty years, and play the hits.

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ComedyReviewRobert Dean

Live comedy review: Dave Attell at the Mothership – A masterclass in controlled chaos

Few times in life do we get to see a true master at work. Watching someone carve stone for a temple or fling paint across a canvas gives a glimpse into creation itself — that raw place art comes from before it’s polished and displayed. Recently, I caught Dave Attell’s final show of his six-night run at Joe Rogan’s Comedy Mothership, and it was one of those rare moments when a comic takes you to a different universe

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Case CockrellLive MusicReview

Live music review: Standout rapper Earl Sweatshirt cemented his legacy at Stubb’s

For the release of his fifth studio LP Live Laugh Love, the Earl hive is as healthy as ever, even if it means the 31-year-old’s legacy is a long way from his angst-ridden years. Earl and his worthy entourage made their way to Stubb’s Waller Creek Amphitheater on November 21, an evening filled with beats and bars that affirmed his consistent, independent trajectory, which has mounted to that of one of hip-hop’s most forward-thinking figures.

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Case CockrellLive MusicReview

Live music review: Emo originals Cap n Jazz played Mohawk last Monday

The Midwest Emo Kinsella dynasty feels everlasting in 2025. For this outing, the emo originals Cap’n Jazz made their way to Mohawk in the Red River Cultural District on Monday night to assert a legacy that proved undeniable for an endless gauntlet of bands that came after them. Frontman Tim Kinsella, guitarist Nate Kinsella, and drummer Mike Kinsella remain a staying force within their niche. With all the records between them, the music has never halted, with over 35 years of nonstop creativity and touring. With bands like Owls, American Football, Joan of Arc, Owen, and many more making up their rotation of projects throughout the last few decades, the Kinsellas feel like they can’t miss. 

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Live MusicReviewRobert Dean

Live music review: The seance will be televised – Queens of the Stone Age ACL TV taping

Marcel Proust was a dark-minded poet-philosopher, once musing: “Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us.” Imagine him at a Parisian café with Queens of the Stone Age mastermind Josh Homme, trading cigarettes and wine. Would they challenge death or toast to it? These thought and more came as QOTSA’s Austin City Limits TV taping took place on November 18 at ACL Live. 

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Case CockrellLive MusicReview

Live music review: Pigeons Playing Ping Pong packed Mohawk last Friday

Baltimore funk jam outfit Pigeons Playing Ping Pong soared into Austin for another musical extravaganza, their third visit since 2022, in celebration of their eighth studio LP Feed The Fire. This time, the venue of choice came in the form of Mohawk in the Red River Cultural District on Friday night. Over the three-hour excursion, fans from all kinds of music spheres made their way to pack out the downtown Austin venue for two sets of pure joy. With loyalists being dubbed,”The Flock,” the level of fan inclusiveness was palpable throughout the packed venue for an episode of victorious energy. 

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Case CockrellLive MusicReview

Live Music Review: Jeff Tweedy Celebrates New Triple Album at Paramount Theatre

A songwriter like Jeff Tweedy is rare company. With an ever-growing gaunlet of books, records, and musical outlets, the Illinois-born artist has maintained an unrivaled prolific streak that’s shown no signs of letting up as he reaches the not-so-ripe age of 60. After a phenomenal three-day stint with his primary vehicle, Wilco, at ACL Live last December, Tweedy and his family band made their way to the Paramount Theater in downtown Austin on Wednesday night. The Austin stop comes as a part of the tour to celebrate the release of triple LP Twilight Override, a 30-song epic chronicling the Midwest wordsmith’s more hopeful side. For the gig at one of Austin’s most coveted and beautiful venues, the results did not disappoint, given a storied career spanning over four decades.

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