Review

Live MusicReviewScott Rollins

Live music review: Willie Nelson in Beaumont proved life affirming

What more can really be said about Willie Nelson? He is recognized the world over and is apricated by fans of varying musical genera and backgrounds. He’s acted in movies and is arguably the most influential songwriter in county music history. He is one of the greatest icons in popular culture worldwide. Emmylou Harris once said, “if America could sing with one voice, it would be Willie’s”. Which is one reason to see his performance at Ford Park in Beaumont to see the legendary songwriter perform a life affirming show. 

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Drew DoggettLive MusicReview

Live music review: Sigur Rós transformed Bass Hall into ethereal soundscape

On October 4, Sigur Rós transformed Austin’s Bass Concert Hall into an ethereal soundscape. Accompanied by the 40-or-so-piece “Wordless Music Orchestra,” the Icelandic trio provided an evening that transcended traditional concerts. Known for emotional depth and cinematic sounds, the orchestra gave new life to the band’s performance with grandiose arrangements, making this performance standout as a profound night for everyone to witness.

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April DawneLive MusicReview

Live music review: LCD Soundsystem at Brazos Hall or Fake New Wave Bullshit and How I Became a Fan

Editor’s Note: As is standard operating procedure at TCC, we loosen the rules a bit for our writers, encouraging each to write in their own voice while staying true to our ethos as music lovers and journalists who intend to do no harm to artists and peers we choose as subjects. I’ll briefly set the stage for April Dawne’s hilarious and very real diatribe on seeing LCD Soundsystem on Saturday, October 19 at Brazos Hall as guests of IQOS and Rolling Stone who generously offered my wife Haley and me, plus a few lucky artists and friends early entry to the concert / brand activation of the weekend for the Austin Grand Prix F1 Race. Thanks for reading and enjoy… 

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Case CockrellLive MusicReview

Live music preview: Six bands to see at LEVITATION 2024

World-renowned psychedelic Austin musician Roky Erickson once said, “At one time, I had it notarised that I was from another planet. By a lawyer.” Regardless of whether that makes sense or not, Erickson’s legacy still holds true in the city of Austin, Texas. We’re decades removed from the 60s, but folks like Austin’s The Black Angels and their proxies have kept his legacy alive by delivering endless programming of neo-psych rock utopia.  Festival founders Rob Fitzpatrick and The Black Angels’ Levitation is back this Halloween weekend for yet another multi-venue installment, and the booked talent continues to deliver a factor of “Wow.” The Cosmic Clash team will join the festivities yet again and is here to prescribe another list of bands you need to see for the end-of-October festivities. All set times can be found on the Levitation website.

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Case CockrellLive MusicReview

Live music review: High On Fire sold-out Mohawk with Weedeater and Burnt Skull

When it’s October in Austin, Texas and it’s still 95 degrees outside, outdoor sold-out shows can feel like the Summer season never changed. With Austin Italian cuisine staple Marinara Miracles slinging their signature dishes and Lone Star Beers overflowing the venue trash cans, fans in attendance at Mohawk on October 5 were indulged and ready to see a modern heavy metal favorite deliver a gig doing what they do best. For Oakland’s High on Fire’s second Austin appearance in just under a year on Saturday night, stoner metal fans came in full force to experience another helping of crushing riffs, bombastic drum beats, and relentless stampedes of bass that have become their trademark since being assembled in 1998. 

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Case CockrellLive MusicReview

Live music review: White Denim delivered epic two set show at Sagebrush

White Denim appeared earlier this year at Red River Cultural District staple Mohawk, joined by Nolan Potter’s Nightmare Band, and featured a sit-in from guitarist Raze Regal to commemorate their long-awaited joint album Raze Regal and White Denim Inc. Petralli and company opted for far-South Austin haunt Sagebrush on September 26 for their triumphant return to Austin. Not only this, the announcement came with the note that the Austin gig would be a two-set performance, producing a career-spanning evening with the legendary Austin indie rock act. To describe the Thursday night shindig, a word that comes to mind is “Epic.”

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Case CockrellLive MusicReview

Live music review: Butthole Surfers member JD Pinkus and Melvins front man Buzz Osborne at Antone’s

If you’ve ever seen Washington’s Melvins in a live setting, you know the uncontrolled chaos that ensues with every live occurrence. For frontman Buzz Osborne, he lives and breathes it. Since releasing the latest Melvins LP Tarantula Heart, Osborne has embarked on a solo acoustic tour with none other than Texas legend JD Pinkus from the titans of weird, The Butthole Surfers. A chilled-out crowd made their way to coveted downtown Austin music haunt Antone’s on September 21 for a stripped-back gauntlet of tunes fans of the main Melvins act rejoice in with thunderous audience fury in their typical, abrasive format.

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Brian HillsmanLive MusicReview

Live music review: Bat Fest 2024 featured Ghostland Observatory, Paul Wall and more

The 18th annual Bat Fest took place, once more, on the South Congress Bridge, from 3 p.m. to the late hours of the evening on Saturday, September 7.  On a warm, late summer afternoon, the sun beamed down on patrons and vendors, as preparations for the showcase ensued. The all-day party which takes place on the bridge where the largest urban colony of bats reside with performances by an eclectic list of artists; hard-rockers, CORE, hip-hop duo Luniz, Screw legend, Paul Wall and headliners, Ghostland Observatory. The fest is known for its unusual lineups and the 2024 edition was no exception. 

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Case CockrellReviewSong

Single review: Sexpop drops new song and video for Who To Call

Blaise Eldred’s Sexpop was just a one-man band when the Berklee College of Music attendee arrived in Austin as a member of the now-defunct psychedelic collective Acid Carousel. Before arriving in Austin, Eldred had two albums of material with his musical vehicle Sexpop and another record with Boston-based indiegaze act RVRCT. (pronounced Rivercat) On new single “Who To Call,” Eldred takes a break from local funk mega-ensemble Grandmaster, revisiting his passion project with a fresh, refined approach with an accompanying music video to boot.

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