Amazing shows are frequently measured by how loud a crowd can get. The Antlers created a special evening at Antone’s May 9, not by eliciting roars from the floor, but captivating the room into a quiet trance. The faithful crowd wasn’t rowdy, but respectful to the point where you could hear a pin drop, if not the bustling traffic outside of busy 6th Street.
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Where most artists deliver the runtime of a long HBO episode, a My Morning Jacket set is an epic Peter Jackson film. On April 29 in Austin, the band played a two-hour, 45 minute marathon, with nearly as many songs (22) as years they have been together (24). In other words, it was your typical, kick-ass MMJ set.
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On a temperate Wednesday night (by Austin standards) the band kicked off a few minutes before 9 PM. With chants of “Ty! Ty!” the iconic front man, Ty Segall, graced his fans, just six months after Fuzz graced the same Austin stage for LEVITATION festival.
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As Austin’s LEVITATION festival closed out on Halloween night, many fans still wore three or four wristbands from their full weekend of psych rock events the festival organzied. Sundays can be a drudge for any festival, but the sold-out, costume-wearing Japanese Breakfast crowd at Stubb’s BBQ proved that the Live Music Capital of the World is as vibrant as ever.
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At Mohawk on October 29th, black midi displayed their sky-high musical endurance and tested the audience’s as well at the 2021 verison of LEVITATION Fest.
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With their concise old-school rock formula, it’s tempting to label Montreal’s TOPS as a nostalgia project. But pop-rock doesn’t account for the band’s intricate layers and synthpop negates the group’s prowess in both their instruments and songwriting. Sure, the keys pop and levitate into a lush atmosphere, but it’s a dreamy wave that invites you to dance not brood as was the case last Friday in Austin’s Red River District at The Mohawk.
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Philadelphia’s Mannequin Pussy is an aggressive punk band with a lot of energy and a lot more to say. Sold out for Austin’s downtown venue, The Parish, last night’s show moved to Empire Garage in the adjacent Red River District to accommodate a significantly larger crowd than what the 400 capacity, The Parish can hold.
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