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Greg AckermanLiveReview

Live music review: A two-night stand for the ages by Beach House in Seattle

It’s been a perfect storm or more accurately a comedy of errors that have allowed me to miss Beach House over the years of touring in Austin. The band would come play ACL’s Moody Theater and I’d be out of town on tour with one of my own bands.

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Brian HillsmanLiveReview

Live music review: L7 brought remedy for political unease

The 1990’s were a helluva time for music. Grrrl rock, heroin chic and flannel all featured prominently in the music scene.  At the heart of it all was Grunge music made by the likes of Nirvana, Pearl Jam, Mudhoney and similar artists. Near the center of that magical era was L7. The Los Angeles, all-female, four-piece began their collective career in the mid-80’s. In the 1990’s, the group toured with the likes of Alice In Chains, Beastie Boys, and Pearl Jam.

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Brian HillsmanLiveReview

Live music review: Deerhunter slayed at Mohawk Monday with surprise guest

There is something refreshing when a band consists of members playing various roles within its construct.  Throughout their set at Austin’s Mohawk on Monday, Deerhunter band leader Bradford Cox managed tambourine, guitar, bass and lead vocals. Javier Morales masterfully operated the keyboard, synthesizers and saxophone. Guitarist Lockett Pundt took over lead vocals in a crowd-moving execution of song, “Desire Lines.”

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Greg AckermanLiveReview

Live music preview: Marcus Rezak and Shred is Dead are coming to Austin

A new wave of experimental and improvisational artists are gaining popularity nationwide. Touring progressive music guitarist Marcus Rezak is part of that trend, emerging from the respected music program at Berklee College in Boston to join the ranks of skilled hired guns touring festival stages while working with Digital Tape Machine, Grateful Dead/JGB progressive instrumental act Shred is Dead and Katharsis. Rezak has made his first solo album, “Gateway to the Galaxy” with drummer Kris Myers (Umphrey’s McGee), legendary saxophonist, Bill Evans (Miles Davis), bassist Arthur Barrow (Frank Zappa) and Joel Cummins (Umphrey’s) on keys. Indeed a true super group was assembled for the recording of the record at The Attic in Nashville.

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Brian HillsmanLiveReview

Live music review: Emily King’s Celebration of Life and Self-Reflection at Antone’s

When dealing with hardship, change your outlook; keep it positive.  If there is one message or sensation at which one might arrive after witnessing Emily King live, this may be it. It could very well be her graduate thesis.  After seeing her show, one may feel the nostalgic sensations reminiscent of a gratifying, uplifting gospel Sunday church service.

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LivePreviewScott Rollins

New music: The sensational Reina del Cid and The Other Favorites on tour

I am still not sure what a “YouTuber” is, though my teenager has explained the concept twice. I am halfway lost between rotary phones and storage clouds; long playing records and streaming services. So I do not know if Reina del Cid was a “YouTuber” originally or if it just happens to be where I found her singing “The Tennessee Waltz”.

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LiveMike CosmicPreview

Johnny Degollado “El Montopolis Kid”

At the age of 19 Johnny Degollado aka “El Montopolis Kid” and his ensemble started touring Texas towns which consisted of seasonal migrant workers. Degollado’s career started in 1954 and continues to this day. His decades of playing has made him an Austin legend and a true Rockstar.

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InterviewsLiveMike Cosmic

SXSW Interview with MEXMODE – Four Daze of Clash

The most EVIL rap crew in Travis County, “MEXMODE”, will perform at the 2019 edition of Cosmic Clash Daze (World Music) during South by Southwest (SXSW).

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