It also means that, on a hot night like June 17, the Texas humidity was in full force at Empire Garage and Control Room. Although, there’s something about sweaty weather and hard rock that go hand in hand. The heat certainly didn’t deter the surprisingly packed crowd who came to see Broncho.
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Amazing shows are frequently measured by how loud a crowd can get. The Antlers created a special evening at Antone’s May 9, not by eliciting roars from the floor, but captivating the room into a quiet trance. The faithful crowd wasn’t rowdy, but respectful to the point where you could hear a pin drop, if not the bustling traffic outside of busy 6th Street.
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Where most artists deliver the runtime of a long HBO episode, a My Morning Jacket set is an epic Peter Jackson film. On April 29 in Austin, the band played a two-hour, 45 minute marathon, with nearly as many songs (22) as years they have been together (24). In other words, it was your typical, kick-ass MMJ set.
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On a temperate Wednesday night (by Austin standards) the band kicked off a few minutes before 9 PM. With chants of “Ty! Ty!” the iconic front man, Ty Segall, graced his fans, just six months after Fuzz graced the same Austin stage for LEVITATION festival.
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As Austin’s LEVITATION festival closed out on Halloween night, many fans still wore three or four wristbands from their full weekend of psych rock events the festival organzied. Sundays can be a drudge for any festival, but the sold-out, costume-wearing Japanese Breakfast crowd at Stubb’s BBQ proved that the Live Music Capital of the World is as vibrant as ever.
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At Mohawk on October 29th, black midi displayed their sky-high musical endurance and tested the audience’s as well at the 2021 verison of LEVITATION Fest.
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With their concise old-school rock formula, it’s tempting to label Montreal’s TOPS as a nostalgia project. But pop-rock doesn’t account for the band’s intricate layers and synthpop negates the group’s prowess in both their instruments and songwriting. Sure, the keys pop and levitate into a lush atmosphere, but it’s a dreamy wave that invites you to dance not brood as was the case last Friday in Austin’s Red River District at The Mohawk.
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Philadelphia’s Mannequin Pussy is an aggressive punk band with a lot of energy and a lot more to say. Sold out for Austin’s downtown venue, The Parish, last night’s show moved to Empire Garage in the adjacent Red River District to accommodate a significantly larger crowd than what the 400 capacity, The Parish can hold.
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