On Thursday September 11, one of the 90’s most influential post-hardcore bands, Unwound played at the Mohawk as part of their ‘30 Years of The Future of What’ tour, which would see the band play their third album in it’s entirety. Admittedly, I had not seen them live during their heyday, but this time around I would not let the opportunity slip away again.
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Adulting is mostly a bummer, and Levitation weekend (September 26-28) coincided with a very important work event happening all day Saturday. Thankfully, the big boss sent an email to the team instructing us to do what we needed to do for self-care, leading up to Saturday. Perfect! I consider live music to be something that can soothe the beast, and from Tuesday through Sunday, I got my fill. It was a funky Levitation that was full of surprises.
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Levitation Festival 2025 took place September 26 – 28 and marked another successful installment in a new location, with more than 30 acts making their way to Austin for yet another Black Angels-sponsored party featuring talent from all over the world. With a new HQ at Palmer Events Center on Barton Springs Road, the convention center turned into Levitation’s psychedelic playground for three days over the last weekend. Each day of the event brought unique vibes that spanned the festival’s usual suspects, first-timers, and legacy acts, all of which helped bring the star-studded booked talent to life for the three-day, two-stage rager. The Cosmic Clash team made their way to the convention center for the weekend to capture the action and highlight every moment that stood out to us at Palmer.
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“And just like that…” Austin’s rock four-piece, Lola Tried released the latest single on September 8 for their EP, Feast which dropped four days later. As this is the fourth EP release for the long-running local act, “Hot Shot Barbie” is clear in its effort to build upon their power pop, garage, and indie rock background and make giant leaps toward revamping and further evolving their sound with the upcoming record.
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Levitation Festival 2025 kicks off next week (September 25-28), with a new and improved location in tow and an array of artists to make this year’s installment one of the best yet. Festival organizers The Black Angels and famed booker and promoter Rob Fitzpatrick have chosen none other than Palmer Event Center to showcase the main festival programming, complete with two stages for the weekend of all-star cast performances. The festival will also feature late-night shows throughout the Austin area, including all the Red River Cultural District venues that have been part of the festival since transitioning to a multivenue format in 2018. The Cosmic Clash will be attending for the long weekend and has curated a list of must-sees for the weekend’s multi-genre music happenings. Night shows are sold separately, so move fast to avoid getting shut out of the post-Palmer programming. Set times can be found via the Levitation website. Hit the link at the top of the story to grab tickets. VIP passes are sold-out. There are still some GA tickets available.
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After a tumultuous few months, the cavern in our hearts is about to close: The Lost Well is finally ready to (re)open. After some nefarious Austin money shit went down, the famed heavy metal haven for weirdos and castaways was forced to close, leaving many in the city feeling like a friend had died. Yet, the mighty Lost Well returns from the dead.
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Isle of Wight duo (now a five-piece quintet) Wet Leg, released their sophomore LP on July11. The album, moisturiser, continues with the energy of their debut release, but also displays more focus and complexity in the band’s creative growth. Ahead of the UK act’s Austin City Limits Music Festival appearance this October, we’re sharing our thoughts on the upstart group’s new record which was released on July 11 on Domino Records.
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Austin hard rock band, Rickshaw Billie’s Burger Patrol hosted their third annual Big Dumb Fest June 14 at legendary Red River Cultural District venue, Mohawk. The self-styled Doom Wop band curates the lineup themselves, hand-picking each local act invited. This year’s roster included Bat Lips, Gus Baldwin and the Sketch, Glime, The Grasshopper Lies Heavy, Subpar Snatch and Gran Moreno for an all night affair. BDF included food pop-ups from Bad Larry’s Burgers, Grandpa’s Glizzy’s and Sucio Boy Burgers to feed the hungry hard rock fans attending.
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Canadian rockers Death From Above (also known as Death from Above 1979 or DFA) delivered an electrifying performance to an enthusiastic crowd last Friday at Austin’s Empire Garage. The duo, comprised of bassist and synth player Jesse F. Keeler and drummer and vocalist Sebastien Grainger, played their critically acclaimed album, You’re a Woman, I’m a Machine, in its entirety. It has become a sort of tradition for bands to tour and play albums in entirety, to celebrate the albums anniversary. Indeed DFA are celebrating the 20th anniversary of their debut album. The tour began last Summer in UK
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The Austin music scene is undeniably alive and thriving, and Subpar Snatch is a vital artery pumping punk rock through its veins. The group is releasing their latest EP Get In Here on June 20. This combustible trio, led by Jess Scott on vocals, Nate Ribner on bass, and CeeCee Email on drums is renowned for their high energy, raw, and unapologetic take on garage punk. Established in 2022, they quickly built a reputation for their raucous live performances, provocative lyrics, and a powerful sound that proves no guitars are needed.
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On Saturday, June 7 Pinky Fest organized by Austin punk band The Pinky Rings took place at South Austin venue The Far Out Lounge and Stage. The event featured live music from eight local bands. Besides the all-female foursome hosts a raft of Austin acts including Molly Ringworm, Think No Think, Die Mart, Cormae, NSFWHO, Tied Up and Dregs performed on an unusually hot Spring weekend in Central Texas.
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