Saturday, November 2, 2024

Parish

Case CockrellLive MusicReview

Live music review: Legendary alt rockers Redd Kross played Parish on Rock and Roll Party tour

Since reforming and recording a double, self-titled record, Redd Kross is touring again and bringing what bassist McDonald would call a “Rock and Roll Party” to every city the Kross has placed on their itinerary. For the Austin stop on their tour, the California alt-rockers rolled into East Side hideaway, Parish on August 7, ready to deliver their top-down assault of tunes that made for a career-spanning performance. 

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April RiggsLive MusicReview

SXSW live review: The Black Angels performed at Marshall Fun House party and it ruled

Fast forward to SXSW 2024 and asking Greg why in all these years he’s never asked me to write for TCC and him finding out that I’ve seen The Black Angels (give or take) 40 times since that fateful night back in 2006. And here we are – you’re here to get a recap of Friday’s SXSW show at The Parish for the Marshall Fun House and I’m giving my brief history with the band as it pertains to writing about them.

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Case CockrellLive MusicPreview

SXSW preview: Seven Day Parties to put on your must see list

What’s South By Southwest without daytime shenanigans? For every year’s SXSW installment, different activations pop up all over the city

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Case CockrellLive MusicReview

Live music review: Atlanta garage punks Black Lips rocked Parish with Gus Baldwin and Death Party

Atlanta’s Black Lips have kept this dream alive since the label’s dissolution. Since embarking on numerous tours and album cycles since 1999, the garage outfit has been a musical binge since their inception. With a stage show that goes the lo-fi, rocking distance, there was never a dull moment on Friday night at Austin’s Parish in the city’s East Side. 

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Greg AckermanLive MusicReview

Live music review: GUM impressed fans at Parish October 12

Multi-instrumentalist, vocalist, singer and producer, Jay Watson brought his solo project GUM to Parish Thursday evening to a mostly full venue. The artist is better known for his contributions to Australian psych-rock act, Tame Impala and the group he co-founded, Pond.

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Case CockrellLiveReview

Live music review: Frankie and the Witch Fingers unleashed psych and roll on an ecstatic Austin audience

For Los Angeles act, Frankie and the Witch Fingers, every record has been a step further to indie psych-rock royalty. Formed by frontman Dylan Sizemore as a solo project in Indiana before relocating to Los Angeles recently, Sizemore has assembled his group of rock and roll avengers, sculpting record after record of “psych and roll” material built to blow audiences away. Sizemore and his band did just that for a Thursday night Austin crowd at The Parish in the city’s famed East Side.

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Greg AckermanPreview

Live music preview: Frankie and the Witch Fingers set to play Parish with Spoon Benders

Thursday evening at Parish LEVITATION veterans Frankie and the Witch Fingers are set to play with Portland’s Spoon Benders. The lineup is sponsored by the vaunted psych-rock festival, The Cosmic Clash and our favorite, Austin independent booking outfit, Resound Presents.

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Live MusicMike CosmicReview

Live music review: Sparta Celebrates Wiretap Scars 20th Anniversary Tour at Parish

Sparta cruised into Austin’s Parish venue on July 26, celebrating the 20th anniversary of their debut album, Wiretap Scars. This highly anticipated release came after their 2002 EP, Austere. Wiretap Scars was well received, particularly following the downfall of the critically acclaimed band, At The Drive-In. The breakup of At The Drive-In, due to musical differences, split the band into Sparta and The Mars Volta. Both bands definitely took different paths and crafted their own sound. 

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Christina DeStefanoInterviews

Interview: Ambient artist Bayonne released third album, premieres new video today

Today, Roger Sellers aka Bayonne released his third studio album Temporary Time. We sat down with him to discuss what listeners can expect. Temporary Time’walks through stages of grief with ambient looped composition in what he describes as ‘his most personal work to date’.

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