We’re thrilled to premiere the band’s exceptional third release, Knock Out (Pecan Crazy Records) today at The Cosmic Clash. The album is a follow-up to one of our top Austin albums of 2019, What’s A Woman To Do.
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In the unforgiving desert that is commercial country music, there is an occasional oasis of originality coupled with traditional roots. A shining example is Margo Price. She’s released her third studio album, That’s How Rumors Get Started on July 10.
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To the excitement of many fans, Fontaines D.C. announced early this year that they had completed recording their sophomore effort, A Hero’s Death which was heavily inspired by the music of the Beach Boys. An ambitious undertaking to both avoid the sophomore slump and put out a record that rose to lofty level of Brian Wilson and company.
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The First Rose of Spring is Willie Nelson’s seventieth album. That is 70, seven-zero. Let that sink in a minute. The sheer volume of Nelson’s creative output is staggering. The record was released or “dropped” as the kids say, July 3, just before Nelson’s annual Fourth of July Picnic which was live-streamed this year due to the COVID-19 pandemic. You would think there isn’t anything new to say about Willie Nelson. You would think there isn’t anything new and good enough that Nelson could sing. You’d be wrong on both counts.
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Like many bands, Austin’s Sweet Spirit has seen a number of iterations. The band has swelled and contracted in size over the years. The current (smaller) formation lends itself to a different direction with Trinidad that is still glam rock we know and love, but a more spare sound emerges. It’s darker in tone than the previous two full-length albums the band has released.
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For more than a decade, the Austin-based quartet Sour Bridges has seeded the Capital City music scene with echoes of what they refer to as “browngrass.” The band has repeatedly stated, ”…it’s like bluegrass, but a little dirtier.” Consisting of Bill Pucci (vocals, rhythm guitar), Matt Pucci (vocals,mandolin, lead guitar), Garrett Ross (drums), Wil Vaughan (vocals, bass guitar), Sour Bridges has recently released their fourth studio album, Neon Headed Fool. The record was released May 24 of last year.
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On May 1st, Car Seat Headrest released Making a Door Less Open, their first studio album since the 2018 release of Twin Fantasy (Face to Face). From the start, the new record is a genre-twisting collage, exhibiting the band’s embracement of their vast abilities in the most direct and honest way.
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Denver noise rockers Pink Fuzz released their latest record, Vitals November last year. The five-song EP delivers a sonic punch listeners won’t soon forget. The trio reflects the influence of UK fuzz rock pioneers like My Bloody Valentine and The Jesus and Mary Chain with the aggressive approach of Toronto’s Metz.
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Austin’s own Lord Buffalo released their new LP, a follow-up to their self-titled debut, Tohu Wa Bohu on March 13th, just as the world shifted to a place in which listening to relevant music as a form of therapy would hover atop everyone’s lists of prioritized tasks. And the current mood of the world is matched in tone from the first notes of the eerie opening track, “Raziel,” an ambient and drone-y introduction of an album that feels tormented in the best possible way.
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Austin Latin funksters Brownout have returned with a full-length album of lush, original songs entitled Berlin Sessions. The record is the first collection of original tunes since Oozy (2012). The album’s moniker comes from capable producer, Steve Berlin (Los Lobos) who has also produced Brownout’s better known sister act, Grupo Fantasma. Released on March 6 on Fat Beats Records, the record is the first of the band’s to feature their Black Sabbath cover project, Brown Sabbath’s vocalist Alex Marrero.
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Young and fast-rising Austin band, The Cuckoos, recently released their debut album I Hate Love, a sizzling synthesis of varied, classic genres that intrigues and energizes the listener. Heavy synth, classic rock instrumentation and unmistakable, rock n roll vocals, make this record an instant Austin classic, propelling the group to premier status as far as we’re concerned.
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