Anyone who has fallen in love knows what it feels like at the very beginning: elation and euphoria punctuated by a sense of vulnerability at not knowing if this mutual attraction is actually something more– something real.
The new song “Let Me In” by indie-pop singer/songwriter Shae Lane captures this bittersweet feeling perfectly.
Last month saw Buffalo Hunt release Ambitions of Ambiguity – a warm, potent, bourbon-spiked peach cobbler that starts sweet on the tongue before warming your insides with an ennui that perfectly captures this moment in time.
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The lights went down just after 8 p.m. on April 20 (420 Day), and Japanese Breakfast filed onto the Moody Theater stage in an orderly manner, appearing more like a mild-mannered group of software engineers in business casual than one of the hottest ascendant bands on the face of the earth.
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I’ve been waiting patiently to see Jackie Venson for a while. Even with her demanding tour schedule, the Austin-born guitar goddess is never away from our fair city for too long. So when she announced on Twitter that she was doing a residency at Lamberts during February, I was stoked.
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I had an opportunity to see Arooj Aftab and her ensemble play during LEVITATION Festival this year in Austin. The show was off the beaten track, a few blocks away from the raucousness of Sixth Street at Scholz Garten.
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I first saw Geannie Friedman and her band Semihelix as the opening act at the final Vancerts Sunset Series show this summer. I’d showed up that night just to see Moving Panoramas but got there early so I decided to grab a seat up front and settle in, unsure who or what Semihelix even was. Needless to say, I was pleasantly surprised.
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Empowerment Fest, sponsored by local label Dissent Records and benefiting Girls Rock Austin, the event promised a fine sampler of local music spanning multiple genres. As a music-loving feminist, how could I resist? So last Saturday I donned my Jackie Venson tank top, grabbed my eternally skeptical Gen Z daughter, and headed out to Far Out Lounge.
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