Today’s review is from Zack Teibloom, a local Austin writer we’ve been friends with for years. After an extended hiatus from live music coverage, Teibloom returns in a big way with a stellar review of Spoon’s underplay at Mohawk last night.
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This weekend, May 29-30, Independence Brewing (Indy Brewing) is hosting live, local music from some heavy Austin hitters at the brewery this weekend. The Bright Light Social Hour, live visual artist and benefits SIMS Foundation.
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With the year-end approaching, a new White House administration preparing for the next four years and The Cosmic Clash staff puzzling over which Austin albums we like best from 2020, it’s time to introduce our list of top albums made by Austin artists in the past year.
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Two years ago, over 400 albums were released by Austin artists according to Kevin Curtin at
The Austin Chronicle. Curtin then released a list of Austin’s top 200 records. His point? The musical bar is set so high in Austin that half of that momentous number of releases were deserving of some kind of mention in a year-end list. While we applaud him for the effort in producing a massive list of worthy albums, we’re keeping it simple with a more manageable collection of best Austin albums we loved listening to in the past year.
With the end of the year in sight, we figured it was time to run down our favorite albums of
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The Bright Light Social Hour can geek-out with the best of them. Case in point, when the band was invited to participate in Walker Lukens’ Election Confession project which aims to mobilize younger voters, they met Texas Comptroller candidate Joi Chevalier and wrote a truly geeky song relating her story of meeting her Australian husband online in the early days of the internet. The interview and session took place at Native Hostel.
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After covering The Bright Light Social Hour for nearly a decade, since their debut album The Bright Light Social Hour dropped, I can honestly say I couldn’t be more excited for the group. If you clicked the link, you saw tens of thousands of plays their debut has on Soundcloud which isn’t even the most popular streaming platform they’re found on. The band was hot. You couldn’t turn on KUT (KUTX didn’t exist yet) without hearing one of the band’s singles.
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